Roderigo is upset because he loves Desdemona and had asked her father for her hand in marriage. Iago hates Othello for promoting a younger man named Cassio above him, whom Iago considers less capable a soldier than himself, and tells Roderigo that he plans to use Othello for his own advantage. Iago convinces Roderigo to wake Brabantio and tell him about his daughter's elopement.
Aladdin Disney film According to a piece of conversation in The Return of JafarJafar had picked up Iago in Agrabah's bazaar and reared him as his accomplice in crime. In the first movie he resents living under the Sultan and Jasmine as much as his owner Jafar does, though he contrasts Jafar's dark brooding with angry, sarcastic ranting.
Iago often says how he hates crackers which the Sultan always force-feeds him. The Sultan seems to not know until the end of the first movie that Iago can fully comprehend and converse in human speech and is evil. In the end, Iago is dragged into Jafar's lamp with him at the end of the movie and is banished to the Cave of Wonders.
The Return of Jafar[ edit ] Main article: The Return of Jafar Having escaped from the lamp, Iago switches sides, mostly because he is fed up with being pushed around by Jafar. Over the course of the film, Iago slowly warms to the idea of friendship after Aladdin saves him from the Sultan's wrath in return for Iago unintentionally saving him from Abis Mal, and finally risks his life to kill Jafar by pushing his lamp into molten lava, ending Character and iago life once and for all.
Following his heroic deed, he is welcomed into Aladdin's extended family. Aladdin TV series In the series he provides a sarcastic, realistic, or cowardly perspective on events and is only really willing to face danger if great reward is promised.
However, he is sometimes forced to battle his conscience, and generally does the right thing even when he doesn't have to; when Sadira used a memory sand that somehow caused her and Jasmine to switch lives, with Iago, Abu and Rajah the only ones unaffected, Iago led the other two animals in finding Jasmine to restore the world to normal when he could have just as easily left the city altogether.
Iago's common schemes involve trying to sell anything with any value real or nottrying to steal things, and trying to treasure-hunt. He can usually convince Abu to be his partner in crime, but Abu is more likely to leave at the first sign of danger and often lacks the finesse that Iago requires.
He and the rain-bird Thundra had feelings for one another, although Iago was hesitant at first, admitting his manipulative personality made appealing to others difficult. Aladdin has occasionally exploited this, since antagonists are more willing to accept Iago as being more ruthless and amoral than he actually is.
Like Genie, Iago commonly references modern things for humor, even though he does not have a logical excuse like Genie does. Additionally, due to his time with Jafar, Iago possesses extensive knowledge of various forms of magic, which proves useful as Genie's otherwise superior knowledge is ten thousand years out of date-in the "Kingdom of the Black Sand" it's Iago who recognized the Kingdom and its former ruler Destane.
In one episode he mentions that he has a brother named Othello; a reference to the play where his name may have come from. An in-joke on an episode of the TV animated series has Iago running in panic after his face is turned into that of Gilbert Gottfried.
One secret that Iago knows of Genie is that once Genie used his own magic to make himself an ice cream sundae as big as a pyramid-something that Genie dares not let the Genie Guild know about. Aladdin and the King of Thieves[ edit ] Main article: Aladdin and the King of Thieves He has a supporting role in Aladdin and the King of Thieveswhere he helps out with Aladdin and Jasmine's wedding, as well as aiding Aladdin to find his estranged father Cassim, who happens to be the King of the Forty Thieves.
Acting on behalf for Aladdin, Iago convinces Cassim to attend the wedding, promising that he will help him get the Hand of Midas.
In the end, Iago chooses to depart Agrabah with Cassim instead of staying with Aladdin and Jasmine on the grounds that he could not handle the "lovey-dovey" stuff, though he briefly breaks down in tears while telling Cassim, implying he will miss them dearly.
He also points out that Cassim's sense of thievery is more in line with his as well. However, Iago does promise to visit the couple frequently.
He is last seen with Cassim waving farewell to the newly-wed Aladdin and Jasmine as they ride off to the night. Disney Princess Enchanted Tales: Follow Your Dreams[ edit ].Aladdin (character) is a featured article, which means it has been identified as one of the best articles produced by the Disney Wiki community.
If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute.
A cursory reading of the first act of Othello would lead the reader to believe that it is an inherently racist text since there is no description of the protagonist given other than his racial difference.
As an opportunist, Iago cunningly used Aladdin's caring nature to weasel his way back into the palace, though it was the latter's genuine compassion that first sparked a change in Iago's character.
He he was shocked (and touched) by the prospect of anyone treating him with care and lausannecongress2018.comsion programs: Aladdin, House of Mouse, Once Upon a Time. Iago from Othello is a central character and understanding him is key to understanding Shakespeare's entire play, Othello - not least because he holds the longest part in the play: 1, lines.
Iago’s character is consumed with hatred and jealousy. Iago - Othello’s ensign (a job also known as an ancient or standard-bearer), and the villain of the lausannecongress2018.com is twenty-eight years old.
While his ostensible reason for desiring Othello’s demise is that he has been passed over for promotion to lieutenant, Iago’s motivations are never very clearly expressed and seem to originate in an obsessive, almost aesthetic delight in manipulation.
Detailed Summary of Othello, Act 4, Scene 1 Page Index: Enter Othello and Iago. Iago continues his psychological torture until Othello falls into a trance. Enter Cassio.